Carolyn H. Manosevitz

title

healing: a personal journey

An Exhibition of art about the Holocaust
May 6 - August 6, 2004.
Colorado Moutain College
Aspen, Colorado

Carolyn H. Manosevitz.- Colorado artist educated at The University of Minnesota deals with the Holocaust and the power of art to heal. Manosevitz's work is available for exhibition from the artist, who is also a well-established speaker on spirituality and post-Holocaust Jewish-Christian relations. Contact CHGS for details.

(Click on image for larger details)

reconciliation

reconciliation
Mixed Media
10" x 24". 1999

reconciliatrion

reconciliation
Mixed Media
2001

owning memory

owning memory
Mixed Media
14" x 15". 2001

resting place

resting place I
Mixed Media
23" x 22". 2004

resting place II

resting place II
Mixed Media
18" x 21". 2004

my center

at my center
Mixed Media
9" x 12". 1997

not yet healed

not yet healed
Mixed Media
11" x 10.5". 2002

my naked soul

my naked soul
Mixed Media
10" x 24". 2000

girl with gold coins

girl with gold coins
Mixed Media
20" x 30". 1999

preserving memory

preserving memory
Mixed Media
10" x 14". 2002

in the shadow of a great mountain

in the shadow of a great mountain (front)
Mixed Media
15" x 36". 2000

in the shadow of a great mountain

in the shadow of a great mountain(back)
Mixed Media
15" x 36". 1999

the call god has placed on my life

the call god has placed on my life
Mixed Media
13" x 10". 2000

 

healing IV

healing VI
Mixed Media

sacred ground

sacred ground
Mixed Media
13" x 12". 2003

healing after 9/11

healing after sept. 11.,
Mixed Media,
8" x 11", 2002

mass grave

mass grave
Mixed Media
8" x 10". 2004

from a different place

from a different place
Mixed Media
13" x 10". 2004

leaves falling from a dead tree

leaves falling from a dead tree (front)
Mixed Media

leaves falling from a dead tree

leaves falling from a dead tree (back)
Mixed Media

i heard tales of horror and beauty

i heard tales of horror and beauty at the same time
From 'Invisible Faces': Artist's Book
10" x 8". 1999

memory vessel II

Memory Vessel II,
Mixed Media,
11" x 14" x 4", 2003

memory vessel III

Memory Vessel III,
Mixed Media,
13" x 11" x 4", 2003

not a trace

not a trace,
Mixed Media
8" x 10". 2000

seeking the holy spirit together

seeking the holy spirit together
Mixed Media
14" x 10". 2002

seeking the holy spirit together

seeking the holy spirit together
Mixed Media
13" x 12". 2002

listen to the voices from the ashes

listen to the voices from the ashes
Mixed Media

protecting memory

protecting memory, Mixed Media, 12" x 15", 2003.

sometimes the gates of prayer seem closed

sometimes the gates of prayer seem closed,
Mixed Media, 10" x 11" 2003

mending the fracture

mending the fracture,
Mixed Media, 12" x 14", 2002

the eternal presence of absence

the eternal presence of absence, Mixed Media, 10" x 8", 2003.

the eternal presence of absence detail

the eternal presence of absence (detail), Mixed Media, 10" x 9", 2003.

the eternal presence of absence detail

how long will You hide Your face from me. pslam 13. 9" x 6" (from artist's book: inspiration)

road to sacred ground

road to sacred ground, Mixed Media, 6" x 20". 2005.

brethren again

brethren again,
Mixed Media, 21" x 18". 2005

we who are the remnants

we who are the remnants,
  Mixed Media, 16" x 11". 2005

only a thread

only a thread, Mixed Media, 18" x 14". 2005.

reconstructing the story 1

reconstructing the story I,
Mixed Media, 14" x 12". 2005

reconstructing the story 2

reconstructing the story II,
  Mixed Media, 6" x 20". 2005


when I behold Your heavens, the work of Your fingers, psalm 8, 9" x 6" (from artist's book: inspiration)

my children's children
,
(front) 7" x 14"

my children's children
,
(back) 7" x 14"

reconstructing the story
,
13"x 14"

detail: reconstructing the story

krefelder juden: for emma
,
13" x 11"

detail: the trees are witness

the trees are witness,
14" x 22"

The last venue in the upper midwest was at Gallery 101 at the University of Wisconsin-River Falls.

The Girl with the Gold Coins

She was waiting for no me at the entrance to the gallery. 'Thank-you for validating my life', she said 'Are you Second Generation?' I asked 'No.' she replied.  But I did a not know that my father was Jewish until I was an adolescent' .... and then she proceeded to tell me her story.

Her father was an American, born In Prague He became a career diplomat.  In the late '30's, people began to approach him, begging his assistance to help them leave the country. He could do nothing. However, he agreed to take their money and keep it for them until after the war. He drained the oil pan in his car and hid all the gold coins that had been entrusted to him, then replaced the oil.  That was where they stayed for the duration of the war. After the war,he went searching for all those who had given him their gold coins. They were all dead.

When he died, his daughter inherited the gold coins.  'People have suggested that I melt down thegold', she told me. 'But I can't. The souls of all those people are in those coins.'

"You know, you ARE Second Generation', I told her. At first she denied it.  But after I had returned to Austin, I received a letter from her. " I feel like an abandoned child whohas finally found refuge" she wrote

As I had experienced so often in the past - after speaking withchildren of Survivors, I could not get her story out of my head. So, I did the painting -  'girl with gold coins'.

Our brief conversation on that blustery cold night in Alma Michigan has grown into a friendship of mutual respect, admiration and love. This elegant, charming woman bears the burden of her generation – the Second Generation. Her eyes tell you that she carries the weight of the world on her shoulders.

This woman with a heart of gold and the spirit to match, has contributed as much to my healing as I have to hers.

Carolyn H. Manosevitz
Snowmass village, Colorado
20 July, 1999

The Spirit of the Shoes

The Spirit of the Shoes is a series of 12 images that symbolically describe the Journey of the Second Generation (children of Holocaust Survivors). I selected the number 12 to portray the twelve tribes of Israel. The Holocaust is now part of what it means to be a Jew. As Elie Wiesel has said not all victims were Jews, but all Jews were victims.  Additionally, many Second Generation have been involved with various twelve step programs.

Each of the mixed media paintings contains a shoe image. The paths of the Second Generation were marred by those that their parents were forced to walk. The continuum in this series is the leaf image which appears in each painting.  I have found some strong similarities amongst the people I have talked with.  Thus the appearance of the same natural form throughout the series.

Wherever a shoe has laces, they are untied. I find that the Second Generation I have talked with continue to search for new paths to healing. The open laces are symbolic of the openness of the Second Generation to new pathsthat will lead them to inner power

Most of the shoes are not complete but rather fade into the negative space. This phenomenon is indicative of the fact that survivor families are not complete -- that part of the family, like part of the shoe, is missing.

The Spirit of the Shoes are a symbolic metaphor not only for the Second Generation, but for all those who search to heal themselves.

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