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Amishai-Maisels, Ziva. Depiction and Interpretation. London: Pergamon Press, 1993.
Art in a Concentration Camp: Drawings from Terezin. New York: New School Art Center, 1967.
Bak, Samuel. Chess as a Metaphor in the Art of Samuel Bak. Montreux, Switzerland: Olsommer, 1991.
The Past Continues. Boston: David R. Godine, 1988.
Bernbaum, Israel. My Brother's Keeper: The Holocaust Through the Eyes of an Artist. New York: Putnam, 1985.
Blatter, Janet, and Sybil Milton. Art of the Holocaust. New York: The Rutledge Press, 1981.
Borowsky, Irvin J. Confronting the Inconceivable. Philadelphia: American Interfaith Institute, 1992.
Graham, Randolph L., ed. Reflections on the Holocaust in Art and Literature. New York: Columbia University Press, 1990.
Constanza, Mary. The Living Witness–Art in the Concentration Camps and Ghettos. New York: Macmillan, 1982.
Felstiner, Mary Lowenthal. To Paint Her Life: Charlotte Salomon in the Nazi Era. New York: HarperCollins, 1994.
Fluek, Toby Knobel. Memories of My Life in a Polish Village, 1930-1949. New York: Knopf, 1990.
Freudenheim, Tom L. "Viewing Holocaust Art as Art." Shema: A Journal of Jewish Responsibility 15/284 (December 28, 1984): 26.
Furth, Valerie Jakober. Cabbages and Geraniums: Memories of the Holocaust. Boulder: Social Science Monographs, distributed by Columbia University Press, 1989.
Gilbert, Barbara (curator). From Ashes to the Rainbow: A Tribute to Raoul Wallenberg. Works by Alice Lok Cahana. Los Angeles: Hebrew Union College Skirball Museum, 1986.
Goodman, Hannah Grad. "Survivors Reject Art History." Shema: A Journal of Jewish Responsibility 15/284 (December 28, 1984): 29.
Hilberg, Raul. "Conscience from Burlington." Hadassah Magazine (August/September 1991): 21-23.
The Holocaust in Contemporary Art. Exhibit at the Holman Hall Art Gallery, March 27-April 15, 1989. Trenton: Trenton State College, 1989.
Hunter, Sam. Larry Rivers. New York: Rizzoli, 1989.
Kampf, Avram. Jewish Experience in the Art of the Twentieth Century. South Hadley, Mass.: Bergin and Garvey, 1984.
Kitaj, R. B. First Diaspora Manifesto by R. B. Kitaj. London: Thames and Hudson 1989.
Kushner, Marilyn. "Holocaust Art Is Testimony, Not Art." Shema: A Journal of Jewish Responsibility 15/284 (December 28, 1984): 27-28.
Lasansky, Mauricio. The Nazi Drawings by Mauricio Lasansky. Iowa City: University of Iowa Press, 1976.
Makarova, Elena. From Bauhaus to Terezin: Freidl Dickler-Brandeis and Her Pupils. Jerusalem: Yad VaShem, 1990.
Milton, Sybil. In Fitting Memory: The Art and Politics of Holocaust Memorials. Detroit: Wayne State University Press, 1992.
The Story of Karl Stojea: A Childhood in Birkenau. Exhibition at the Embassy of Austria. Washington: U.S. Holocaust Commission, 1992.
Novitch, Miriam, and Lucy Dawidowicz. Art from the Concentration Camps, 1940-1945. Philadelphia: Jewish Publication Society, 1981.
Oppler, Ellen C. Rico LeBrun: Transformations/Transfguration. Syracuse: Syracuse University School of Art, 1983.
Salmon-Livine, Irit. Testimony Art of the Holocaust. Jerusalem: Yad VaShem, 1986.
Saloman, Charlotte. Charlotte: A Diary in Pictures. New York: Harcourt, 1963.
Seeing Through Paradise: Artists in the Terezin Concentration Camp. Boston: Massachusetts College of Art, March 6-May 4, 1991.
Spiritual Resistance: Art from the Concentration Cam~s, 1940-1945. Philadelphia: Jewish Publication Society, 1981.
Terna, Fred. "Reflections of a Survivor/Artist." Shema: A Journal of Jewish Responsibility 15/284 (December 28, 1984): 28-29.
Thompson, Vivian Alpert. A Mission in Art. Macon: Mercer University Press, 1988.
Toll, Nellie S. Behind the Secret Window: A Memoir of a Hidden Childhood during World War II. New York: Dial, 1992.
Witkin, Jerome. West '85: Art and the Law. St. Paul: West Publishing Co., 1985.
Young, James T. The Texture of Memory. New Haven: Yale University Press, 1993.